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Actually

There is no correct/incorrect answer here - this is audiophile mythology.

in some cases there is. I had the good fortune of being invited to play a role in the second Telarc digital recording held at the ASO for the Firebird. As official "timer" of all activity for the performers, I enjoyed a sweet spot in the center orchestra enjoying the practice sessions and later takes. Really nice hearing Jack Renner talk about his minimal miking technique modeled after the Mercury Living Presence recordings from the 50s. After some segments, Shaw would want to review them downstairs where Dr. Stockham had his Soundstream recorder. Using ADS monitors via Threshold amp. The solo clarinet part of the Borodin piece took a couple of takes. After some guidance by Shaw, the second and final take was magic.

Sometimes, some intentional phase-distortion madness putting things behind your right ear can be fun.

Sure, but we both know such is knob twiddling artifice. I'd rather approach the challenge by treating the room.


Edits: 06/05/25
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