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Upsamplers, DACs, jitter, shakes and analogue withdrawals, this is it.

So what "magic" accounts for the phenomenon?

Since the Topping D90SE has SOTA specs in terms of low distortion but has a "totally flat" soundstage, what is different about the more dimensional DAC?

A plausible conclusion is that it has something to do with distortion ... or "magic".

FWIW, my Topping D90, (original non-MQA with AKM DACs), doesn't seem to be lacking in dimensionality -- if it's on the recording.



Dmitri Shostakovich


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