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E-stat, If you were a REAL engineer....

...you would have sufficient training in mathematics, physics, and electrical engineering to do what I did, develop the transfer function which gives the relationship between the sound energy field generated at one place, a spot on a performing stage, and the resultant sound field at another, a seat in the audience. Once you do that and realize this relationship can be measured in the real world and duplicated electroacoustically, you will understand everything you need to know about how concert hall acoustics work and what is required to duplicate them at home. This is not a trick, not a gimmick, and nothing particularly unusual. It's a straghtforward problem most any engineer, certainly any electrical engineer with a bachelors degree from an accredited school in the United States and any physicist should easily be able to solve just as I did nearly 33 years ago. If you're not, then you can stick with your audiophile myths and deslusions that don't ever seem to work. 7.1 anyone?

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