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Digital sound

At the http://groups.yahoo.com/group/Thunderstone_audiophile/messages , Thorsten gave a link to The Anstendig Institute. I’ve found there some very persuasive articles regarding the (aesthetic, rather than technical) principles of the digital sound. So, I have some thoughts about digital.

It is about CD’s sampling freq. and Nyquist theory. Sometimes I’ve read how “the main problem with digital is in a time domain”. Now Anstendig notices that a measurements in a time domain disappeared since digital appeared. Nyquist theory accurately solves the bottom sampling frteq. limit, but that is the limit of bare presence of certain frequency. Least possible sampling frequency is two times higher than the highest frequency that should be transferred. One sample for every half of the oscillation. Once up and once down. But that doesn’t consider a shape of the waveform. And that is the fact, I think, I can call a scandal. I didn’t make a lot of measurements, don’t have a scope, but I measured something with PC. With 22kHz (I can say the same is with 20kHz) signals, I didn’t saw any difference between square, sawtooth and triangular signals. Actually, all of them are triangular. And that seem so logical to me. I admit, I’m not absolutely sure in this measurements and thought, I’ll be glad to know if someone measured these signals at analog scope. Again, it seems so logical that the digital, at its upper limit, is absolutely unable to transfer any signal but triangular. And that means, the closer to upper limit, the waveform more similar to triangle. The effect is visible at much lower frequencies.

Explanation of digital sound? Is this possible?

Pedja


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Topic - Digital sound - Pedja 18:54:43 05/29/02 (36)


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