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In Reply to: RE: An added complication is the non-linearity of the "Phenomenon of the 'Weak Fundamental' " posted by John Marks on July 21, 2024 at 07:56:50
It's often said that if you can blow out a fundamental premise of an argument, then the rest of the argument falls away: "As far as I know, there is no crossover-design software that can compute BSC."
Transitioning from a 4pi to 2pi environment is well known and is easy to computer model these days.
There is absolute no reason to not remove the baffle step if you want a proper response in a room.
Doug
Follow Ups:
What one can do is take an anechoic measurement or one far enough from reflections for a crossover use, exported as a text file (freq/mag/phase) and use a program like LSPcad.
With a corresponding impedance measurement, one can use the computer to iterate to a target you set (like say flat response). This is the best tool for passive and some active crossovers i have run across and it can make this kind of passive filter's values a breeze.
Really.
Hi,
Yes, interesting approach -- and it makes sense. Thanks. Obviously, crossover work takes a lot of work to dial in the sound just right, but the 50 hours to iron out the baffle step that John Marks talks about -- as well as the lack of tools to do so -- just isn't true.
Doug
SoundStage!
I said "As far as I know," because I am familiar with only three such programs. "Auto-BSC" was not on any of the lists of features. I was talking about "Auto-BSC" and perhaps I was not emphatic enough on that. (I have no experience with the very expensive modules from Loudsoft.com. I am told that Harbeth uses those.)
I had a phone conversation with the designer of the program I believe to be the most respected package (X-over Pro version 3) and he said that it was not part of his software and that he did not envision it as a possible feature of any "Insert the data, press 'Process' and you get a crossover design" packages, because there are too many cabinet-related variables.
Regardless, my point was that Baffle Step Compensation, as important as JA and I (and apparently you) think it is, is not something that every loudspeaker designer thinks is worth the trouble.
I was surprised as all get-out when JA commented upon the apparent lack of BSC on a very expensive solid-rock-enclosure loudspeaker he was measuring. I thought that with all that money on the table, why no BSC?
"Though the response in the crossover region is flat, there is a broad peak in the upper midrange, which implies a lack of baffle-step compensation in the crossover. The tweeter's output between 5kHz and 20kHz is 3-5dB higher than it is in the presence region, almost matching the level of the midrange peak."
john
"...is not something that every loudspeaker designer thinks is worth the trouble."
I'm not sure how you can make a statement like that. That a designer doesn't think it "is worth the trouble"?
It's about the behavior of the driver when it is attached to a box. Baffle step isn't some magic -- it's an acoustic result as the driver goes from radiating from 4pi (free space) to 2pi (half space), because of the baffle it's now attached to.
On a freestanding loudspeaker, the choice not to compensate indicates not a design compromise, but a fundamental misunderstanding of how drivers work with their enclosures. Compensating is part of designing. And once again, this is an easy thing to model, even with a calculator and a piece of paper.
Doug
SoundStage!
You complained about:
"I'm not sure how you can make a statement like that. That a designer doesn't think it "is worth the trouble"?"
Did you read my reply, in the context of JA's statement about the Acora Rock Box???
Are you privy to some double-secret explanation why the Acora Rock Box had no BSC?
john
Nope, didn't read your reply in the context of anything but what baffle step compensation is and why it has to be dealt with.
Doug
SoundStage!
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