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RE: Is MoFi and the likes

It was probably my own fault - by talking about the digital source vs analogue source thing and also the anecdote about the UK cutting engineers saying they preferred 33rpm.
Anyway, we are definitely on the same team I think for appreciating 45 rpm when done well.

The mastering engineer thing is an interesting one that I am on the fence about. Chad is using several different ones to do his products, BernieG, Kevin Gray, Ryan K Smith and someone else I can't remember.
The way I see it is that putting EQ choices aside (if indeed any are applied to the original), you are also basically hearing the recording through the Mastering playback system so it's like taking your favourite record around to a friend's place to hear it through their system.
As a consumer, it is impossible for us to know which mastering system equipment is "best".
Kevin Gray has done a cut for Kind Of Blue apparently - I tried to get a copy but I keep getting sent the wrong pressing so I have given up on that, but I wouldn't be suprised to hear it sounding different to my other versions, although I wouldn't have a clue which is closer to the original master tape particularly as the tape degrades slightly with each play. BG's version is possibly the closest but may or may not "sound" the best depending on so many factors related to the mastering chain. KPG has his reference tube based system which possibly might make the vintage jazz stuff sound better.
As I mentioned before, I am OK with remasters and MoFi reissues and AP reissues - I treat them as just another opinion on the sound. Some I may like and others not so, but that's OK for me. The only problem is I end up with an ever-growing collection!


Regards Anthony

"Beauty is Truth, Truth Beauty.." Keats


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  • RE: Is MoFi and the likes - flood2 19:10:00 04/17/25 (0)


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