Hello:I hope that someone can assist me. I just had Stephen Sank re-ribbon three old B&O ribbon microphones for me. He has moved from Albuquerque, NM to Arizona, so he is a bit out-of-touch these days.
In any event, I have the microphones back from Stephen and the other evening tried using them. First, let me say that I have the original connectors for two out of three of these microphones.
The original pin-out is non-standard from the standpoint of our "pin 2 = hot" convention. I removed the original cable, substituted Canare star-quad and at the microphone end, solderedup the connector, as normal. At the other end, the termination was adjusted to have "pin 2 = hot".
I plugged them in (WITH PHANTOM POWER SWITCHED OFF!) and used first my Mackie 1402 mixer. It took nearly a full rotation of the input level pots to get a decent level and that was really pushing things.
I noticed the presence of quite a bit of low-level hum and in my dining room, the mics were VERY sensitive to interference from the wall mounted dimmer switch. I turned the switch off and a lot of the buzzing disappeared. But there was still some hum present.
The microphones are very sensitive to each other's magnetic fields, apparently, something that I noticed previously with some 1940's RCA Varacoustics I own.
Last night, I operated the mics with my Aphex 1100 hybrid tube 2-channel mic preamp. The mics sounded great, but again, they required a nearly full rotation of the gain controls to get any decent levels.
Next, thinking that there might be an impedance mismatch present, I connected them to my trusty old restored Ampex MX-10 tube mixer. I got slightly more level but the same low-level hum was there and of course, the same sort of interference from the lighting in the place.
The microphones have a little 3-position screw switch for adjusting their impedance. The adjustment goes from low to medium to high.
I used the MEDIUM setting, since when I switched them to the HIGH setting, I lost the signal completely. I really do not know why this was, but it was true on all three of these microphones.
I would greatly appreciate hearing from anyone who is familiar with the B&O BM-3 or BM-4 microphones and could tell me what I may need to do to eliminate the interference and/or boost signals to a better level.
Is it necessary for me to use some sort of transformers between the microphones and any given mixer?
Thanks in advance!
Richard Links
Berkeley, CA
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Topic - Using B&O BM-4 ribbon microphones - Marantzguy 17:53:24 02/23/06 (17)
- CAUTION!!!! - grhughes 07:10:34 03/01/06 (12)
- Re: CAUTION!!!!, BOGUS WARNING - Top Jimmy 12:36:46 03/02/06 (1)
- Re: CAUTION!!!!, BOGUS WARNING - Marantzguy 13:28:14 03/02/06 (0)
- Re: CAUTION!!!! - Marantzguy 13:39:05 03/01/06 (9)
- Re: not unbalanced - Top Jimmy 13:13:42 03/02/06 (1)
- Re: not unbalanced - Marantzguy 13:30:59 03/02/06 (0)
- Some units have a decoupling electrolytic cap on the +48 volts - grhughes 14:51:51 03/01/06 (6)
- Re: Some units have a decoupling electrolytic cap on the +48 volts - Marantzguy 16:04:14 03/01/06 (5)
- The Beyer Transformers... - grhughes 07:42:10 03/02/06 (4)
- Re: The Beyer Transformers... - Marantzguy 13:36:40 03/02/06 (3)
- Re: The Beyer Transformers... - grhughes 14:23:14 03/02/06 (2)
- Re: The Beyer Transformers... - Marantzguy 16:13:14 03/02/06 (1)
- 2 RCA BK11A mics in a studio I worked at were ruined... - grhughes 17:51:56 03/02/06 (0)
- Re: Using B&O BM-4 ribbon microphones - Bill Fitzmaurice 18:57:06 02/23/06 (2)
- Re: Using B&O BM-4 ribbon microphones - Marantzguy 10:12:55 02/24/06 (1)
- Re: Using B&O BM-4 ribbon microphones - Bill Fitzmaurice 12:09:18 02/24/06 (0)
- Re: Using B&O BM-4 ribbon microphones - Marantzguy 11:10:56 02/27/06 (0)