In Reply to: From my perspective posted by John Marks on October 30, 2015 at 09:26:08:
The lesser-known, mid-Century neo-Romantic composers-- whose compositions were lucky enough to be smuggled past the guards and over the chain link fence when the klieg lights were aimed the other way --seem well-represented. Apart from the usual suspects--Barber, Copland, etc--most are new to me.Problem is, for me any way, is that none of them have left much of an impression so far; no "aha" moments. No stunning epiphanies. All that came to mind upon listening was "nice," (Diamond, Foote) to banal, (V. Thomson, Chadwick).
Robert Helps OTOH might be a gratifying discovery for some; I played his Hommages in College. No one yearning for "substantial" audience-friendly music will be disappointed. (BTW, substantial = I like it.)
I was hoping for the kind of thrill of discovery enjoyed when going through Decca's Entartete Series; for me, the Schreker Gezeichneten was the crown jewel. Pity what happened to him.
One final note: Rochberg is yet another Serialist who flipped mid-career, back to a more "traditional" sound. So many composers whose styles were fluid back then. Makes squeezing the Century (and its actors) into neat boxes a treacherous business.
Edits: 10/31/15
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Follow Ups
- Naxos has a wonderful series called "American." A place where Rochberg sups with Rorem.... - jdaniel@jps.net 18:48:33 10/31/15 (3)
- Shameless Commerce Division. . . - Chris from Lafayette 00:28:35 11/01/15 (2)
- Wow. I hope you get residuals. - jdaniel@jps.net 07:41:18 11/01/15 (1)
- Madeline only gets residuals on the piano music. - Chris from Lafayette 08:15:07 11/01/15 (0)