In Reply to: RE: Absolutely NO Electronic Enhancement In Chicago posted by ahendler on March 10, 2011 at 10:43:09:
I didn't get to attend during the hall's golden age, but I've certainly heard about it's pre-renov acoustics. An aquaintence spoke to someone who had been an usher during the Reiner era. He said that everything just gelled: great conductor, great orchestra, acoustics to die for.
I started seriously attending in the 90s, prior to the mid 90s renov, and of course since then. I can say the following:
Pre mid 90s renov sound - rather dead, occasionally boxy [depending on where you sat]. However, the hall had clarity and a dynamic range that could kill. Cresendos and triple fortes were astounding.
Mid-90s renov - the initial renov was a mixed bag. Some improvements, but not entirely. More spaciousness, but less clarity and dynamic range.
Subsequent tweaking to the present day: I think the sound is quite nice. It doesn't have voluptuous richness, or ultra dyamnic range or hyper-clarity. Instead, it has a very natural sense of clarity; you can hear everything in most spots in the hall. Bass is clear and present. The overall sound is neutral.
This post is made possible by the generous support of people like you and our sponsors:
Follow Ups
- RE: Absolutely NO Electronic Enhancement In Chicago - Mike Porper 11:53:24 03/10/11 (4)
- All of which illustrates the point I've made several times about physical acoustic design - David Aiken 14:41:47 03/10/11 (3)
- Fake Sound - No Compromise - Line In The Sand - Mike Porper 12:31:08 03/11/11 (2)
- Agree 150 Percent................ - Todd Krieger 16:56:10 03/13/11 (0)
- Here, here! - psgary 15:39:32 03/12/11 (0)